Story by Shandana Mufti
MADRID – The lighting is dim at Madrid’s Sala Siroco, where local rock bands are about to take the stage on a recent Wednesday night to perform for a crowd of about 30. More people trickle in, but by the end of opener Panicky Wasters’ set, the 200-capacity venue remains nearly empty.
In just a few strums of a guitar, it becomes painfully obvious how vacant the room is: the music is just a little too loud, bouncing from wall to wall. “Open your eyes and tell me that you see/Now it’s time to change your behavior…” The vocals disappear without anyone singing them back. There is no rush to the barrier to be close to the band. In fact, there is no barrier separating musicians from audience, and the stage itself is just one-foot high.
“If the band isn’t famous, [people] don’t want to pay,” says Luis Flores, an event organizer at a local arts promotion agency, DAFY, and the promoter for this concert, where tickets are just 6 euros, or $8.
This scene has become the norm in the city, where waning interest in rock music, the rise of electronica and DJs and pinched budgets due to a struggling economy have converged to create a hostile environment for young musicians. Even this audience of 50 – consisting largely of friends of the band – is now considered a decent showing as bands and concert venues alike struggle to hold the interest of a generation more interested in clubbing than live music. And as the crowds shrink, so does the rock music scene, where the average lifespan of a group is just 2 years.